If you want to study film and filmmaking, you should proceed epistemologically.
There’s an old saying that goes something like this: “The only person who knows a lot is the person who knows they know nothing.”
Aside from feeling like a jumble of words, there’s a genuine core belief that knowledge is an ongoing journey. There is no way to know all of this. You have to keep learning.
Well, filmmaking is very similar to that philosophy. You can always get better, always learn more, but you will never know everything. They only work long and hard enough to acquire the knowledge base to make the best decisions possible.
We call this the epistemological approach. Sounds fancy, but it really isn’t. It’s a lot more introspective. This approach will help you develop characters, stories and worlds.
But what is the definition of epistemology? And how does epistemology work in filmmaking as a whole?
Let’s work this out together.
What does “epistemology” mean?
Epistemology aims to address big questions like “What do we know?” and “What makes justified beliefs justified?” These important life-defining questions are fruitful for every creative. They can drive stories themselves, or we can take them apart to create wonderful works.
Everything starts at the root of the word.
Epistemology means epistemological ideas or actions. Epistemology is known as epistemology. It is an important branch of philosophy that challenges a person’s beliefs about the nature of human knowledge. It attempts to depict the process of cognition and how it came about.
history of epistemology
Where does this term come from? Well, the Greek words “episteme” and “logos” are its roots.
“Episteme” is translated as “knowledge” and “Logos” can be translated as “argument” or “reason”. So this is a knowledge argument or reasoning for people.
The term “epistemology” was coined only a few hundred years ago, but the idea of where our knowledge comes from and how it manifests itself is a question and a philosophical argument as old as time.
The four epistemological core areas
Epistemology can be divided into four areas that philosophers like to study.
In short, knowledge is a cognitive success. It’s knowing how to do something and then doing it well. So what drives us to acquire this knowledge? Is it nature or nurturing?
When it comes to filmmakers or writers, what do we know about our craft? What else can we learn?
And what do our characters know? And who taught them?
When it comes to faith, we have to choose what we think. What do we think besides our knowledge? And why do we think so? If you have faith, is it valid or not?
In film studies, do we believe in the author’s intentions or is a screenplay a literary artifact?
If your character has an inner struggle, find a way to make it appear as an outer struggle so the audience has something to hold onto and watch.
What actually happens in reality? Truth is an essential subject. It is the ultimate answer to some situations. The truth can have its own perspective, but the ultimate truth is a reality that not everyone can see. truth is fact.
Your screenplay is made up of individual story beats which evoke emotional reactions in the reader and viewer. These beats are based on classic screenplay structure. The beats help guide character sheets, history structureand even yours elevator presentation.
There must be truth in every punch, even if your characters don’t know about it.
Justification plays at the core of the epistemological definition. This is how we argue the three issues above. You must justify truth, belief and knowledge. You can do all of this with perception, reason, memory, and testimony, all of which you use to develop an argument.
Justification is also a burden to bear. You may be skeptical of the truth or belief and need to test it.
As storytellers, we often justify what happens in our story based on our characters’ knowledge and beliefs. And we tell stories that we want to have a greater truth.
Why do filmmakers need to understand this? Epistemological definition?
I think if we’re going to write about people and the world around us, we need to study this branch of philosophy, even if we only understand the surface of its teachings. This can help us better understand the characters in the story, the events, and reveal a lot about our intent and the direction of the story.
These epistemological views unlock the mysteries of the outside world.
As filmmakers, we’re constantly looking for stories that connect. If we know what makes us tick, or if we want to unravel it, this study can put us in touch with areas of our stories that we’ve never explored before.
Summary “What does epistemology mean?”
Now that you’ve got a handle on this philosophical idea, it’s time to put it to the test in your own work. Choose your characters and your story apart. Is there a belief system? Do you need more justification for actions?
At the end of the day, it all boils down to knowledge. Not just what you know to carry out your work, but what the characters in your story know that justifies their actions or the arc or the story.
With that in mind, I can’t wait to see what you come up with next!