Candid and Street Portraits – | Episode Movies

While everyone knows what candid photography is—and most of us have been the subject of it in one way or another—few people understand the precise nature of this diverse genre, and fewer still are truly skilled at taking candid shots.

The essence of snapshots is their candid nature. It has nothing to do with whether the person concerned knows or even agrees to be photographed.

Candid photography is at the heart of snapshots, photojournalism, and street photography. This can be the most fruitful approach to photographing children, parties, and family or community events.

Candid photography is about capturing spontaneous moments. In this case, with a flat f/4 aperture and a shutter speed of 1/2000 second, the subject stood out against the splashing water of the fountain behind her.

Above all, candid shots should capture a sense of spontaneity and capture a “defining moment” in time. To achieve this, the photographer must master the art of making people feel so comfortable in the presence of a camera that they forget it’s there. It’s important to blend in with the environment, whether it’s at home, formally, or in a public arena.

Eye contact is a great way to engage with the viewer and should be attempted with close-up portraits.


Keep it simple, small and light is the best advice when choosing gear. A single camera with a standard range lens (24-105mm in 35mm format) should provide enough latitude for capturing individual subjects in small groups, regardless of the situation.

Use available light as the flash warns people about the camera and can make them either embarrassed or hostile. Forget tripods; Not only do they get in the way, but they also draw attention to the camera.

Flash would have distracted the subject and also created uneven light distribution due to the angular distance law. Shots like this are only possible with ambient light.

Work within the capabilities of your equipment. Almost all new cameras allow you to narrow the range covered by the Auto ISO feature to set the lowest and highest ISO settings for a specific shot. In this way, image noise can be reliably minimized.

In Auto ISO mode, the camera’s processor will always set the slowest shutter speed it thinks you can handle while holding the camera. However, this can push the ISO sensitivity to an unacceptable level if you set a faster shutter speed than necessary, especially if the camera and/or lens has built-in stabilization.

We recommend that you limit the ISO range to 6400 or less depending on the type of camera you have. If your camera is more than about three years old and uses a cropped sensor, you may need to downscale the sensitivity to ISO 3200 or even lower. Shoot RAW+JPEG pairs for the best chance of getting editable images.

Shooting with long lenses and large aperture settings can produce interesting results. This portrait was shot with a compact camera with an extended zoom range and an equivalent focal length of 500mm at f/4 with a sensitivity of ISO 6400. This combination blurs both foreground and background detail to create interesting selective focus.

Built-in stabilization in the camera body and/or lens offers more shooting opportunities in poor and variable lighting. The latest cameras can integrate camera and lens IS systems to provide at least five stops to correct for camera shake – and 7.5 stops is not out of the question.

Practice your shooting technique and learn the slowest shutter speeds you can tolerate in different conditions. Most cameras allow you to adjust the sensitivity and shutter speed values ​​to what you can handle with the lens you are using, taking into account the available stabilization.

shooting tips

The best results are achieved by photographers who are part of the scene; close to the action without drawing attention to yourself. Don’t try to hide; it just draws attention and makes people suspicious of your intentions. If you continue to think people aren’t noticing you, you’re more likely to behave in a way that keeps you “under the radar.”

Examine the scene thoroughly before you start recording. Find useful vantage points, move around, and have your camera ready to capture the moment a “pioneering moment” emerges.

Success comes from practice and the resulting confidence.

Public demonstrations are a great place to practice street photography. You don’t need long lenses when photographing crowded subjects.

It’s easier to take photos in busy places where there is a lot going on. Not only do you have a wider range of subjects to choose from, but you also stand out less from the crowd. trust your instincts If taking pictures feels right, it probably is; Don’t shoot if it feels wrong or dangerous.

In potentially tricky situations, it can be helpful to have a friend accompany you who can provide support. You can also try shooting from the hips, either guessing how you’re going to frame the shot and using a wide-angle lens to later crop the frame to get the desired result, or using the LCD monitor to frame the scene . High-resolution cameras (over 20 megapixels) are needed in situations that require extensive cropping.

Find a spot with a useful background or frame for your pictures, and then wait for the special moments. This proven strategy can often be the best way to achieve attractive lighting and shooting angles.

Such images are possible if you choose the right spot, have a suitable lens and are willing to wait. Shot with an 85mm equivalent lens and an ISO setting of 250 plus a fast shutter speed of 1/100 second.

Don’t be afraid to ask people if you can photograph them. However, if your subject is an artist of any kind and you want to photograph them with their work, don’t be surprised if they refuse. It is perfectly legitimate that you want to protect your original concepts from imitation by others – and you should respect that.

Don’t be afraid to ask people if you can photograph them. This couple of buskers in Tokyo actually asked for this photo to be taken!

Street performers and buskers are logical targets for your camera. As they want to attract attention, they are used to being photographed and will often appear in front of your camera. Be generous with what you throw in their hats.

Street performers can create wonderful subjects for your camera.

Take lots of photos. Although you might think that famous photographers only took one shot to capture the “defining moment,” most of them actually took many pictures and then chose the one to print. Put your camera away as soon as you see any signs of hostility. Use your common sense and move on. If your approach is rejected or you encounter hostility, don’t shoot! No photo is worth an unpleasant argument.

rules and regulations
Australia does not have privacy legislation protecting an individual’s image as such, although the Commonwealth Privacy Act 1988 provides some protections against the collection, use and disclosure of personal information. State laws may also provide some privacy protections. Essentially, however, these laws apply to personal data; no photographs.

In most places, you are allowed to take photos of people, buildings, or public places without permission. This includes photos of people you don’t know – as long as they were taken in a public place and the photos are for your own use. Situations where someone “would reasonably expect to be afforded privacy” are taboo unless permission has been given by the data subject.

All photos used for advertising or stock agency placement MUST be accompanied by a signed model release granting you permission to sell the image. Image libraries also require model releases for all shots that contain recognizable people, even if they are side or back views. A sample model release form for photographers can be downloaded from the Arts Law Center of Australia website.

Most states prohibit any act that could be construed as watching or spying on another person. Stalking is also prohibited and photography that could be construed as child pornography can be prosecuted.

Permission may be required for photography on private property, sports fields, theatres, museums or similar public spaces. Taking non-commercial images is usually allowed, but permission is required if recordings are to be sold.

Federal government legislation prohibits photographing of defensive structures and military bases. Your camera can be confiscated and you risk arrest if you attempt this. Other government property, such as ports, railway stations, electrical plants and similar facilities are also blocked.

In terms of privacy, situations covered by the definition of “own use” include photographs displayed in exhibitions, published in magazines and online “blogs” and entered into competitions – as long as no payment is made for the use of the photographs . Note that some contest and exhibition organizers place restrictions on the types of images they accept, and many require model releases for shots with recognizable people.

The Australian Copyright Council publishes two information sheets (G0011 and G035) on photographers’ copyright and a general guide, G11 photographers and copyright. Both are available as free downloads from the Council’s website.

Check out more street photography tips

View the profile of award-winning press gallery photographer Alex Ellinghausen

Extract from Pocket Guide to Portraits, through photo rating Tech Editor Margaret Brown.

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