Where to start with Martin Scorsese – The Film Magazine | Episode Movies

To answer the question of where to start with Martin Scorsese, it is important to understand who Martin Scorsese is. Born Martin Charles Scorsese in 1942, the now famous filmmaker grew up in the Little Italy district of New York and fell in love with film at an early age. After studying film and education at New York University (NYU), he held various positions in the film industry. He was an assistant director and managing editor at Michael Wadleigh’s wood storage (1970), a title widely regarded as one of the greatest documentaries in American cinema. He went on to make his own documentaries, and while he has worked in a variety of styles and genres, it is his work on gangster films that he is best known for.

Martin Scorsese was part of the American author wave of the 1970s and is probably the most successful artist of the group. He embodies the traditional idea of ​​the auteur film. While Steven Spielberg and George Luke worked on Hollywood blockbusters that Scorsese made taxi driver, New-York, New-Yorkand wild bull, three different films that varied with audiences and critics but were undoubtedly Scorsese films. A lifelong cinephile, his films have always been steeped in Hollywood’s past and have continually alluded to film history through style, genre and direct homage. In addition to the cinematic fascination, his films are inspired by his own upbringing. His gangster films reflect the ethos of his Italian youth and culture, merging both in style and content with the big dreams and excesses of American society. Its editing and cinematography are just as impressive as all of the characters, all driven by powerful performances.

There are all sorts of places to go in Martin Scorsese’s cinema. The goal of this piece is to start at the roots, really get to grips with what made Scorsese such a great filmmaker and storyteller, and progress towards his seminal work. That is Where to start with Martin Scorsese.

1. Mean Streets (1973)

common streets was Martin Scorsese’s breakthrough third feature film after the early acclaim of his student films. He wrote the story and worked on the screenplay, and it is believed that this was the first film on which he really had control of the production. In his 1979 book “American film now‘ described critic and author James Monaco common streets as Scorsese’s only major achievement, noting its status as a personal and original film (154).

Harvey Keitel plays a petty gangster in Little Italy, and the character’s practical views early in the film speak to Scorsese’s own views on Catholicism: “Your sins are not atoned for in church. you do it on the street you do it at home The rest is bullshit and you know it.” Keitel’s Charlie struggles to do his best on the road, his problems compounded by Robert De Niro’s character Johnny. The film is rough around the edges but full of style. A bar’s red lights and street gangsters offer a different take on the gangster genre than Francis Ford Coppola’s The Godfatherpublished the year before.

It’s important to see common streets because the film acts as a basis for Scorsese’s future work. This was the filmmaker’s first collaboration with Robert De Niro (whom he worked with on some of the most iconic films of the era), it was a new take on the gangster genre, it took what was then an unusual way of featuring hip music in its soundtrack, and his narrative makes clear the tragic nature of human existence. If you’re a cinephile this is the kind of movie people like us have raved about, the latest film from one of the hottest young directors around.

2. Italian American (1974)

Martin Scorsese has a documentary body of work almost as extensive as his feature filmography. His best is his most personal Italian American.

Italian American is very simple: Scorsese places cameras in front of his parents in their New York apartment and interviews them about their lives and the lives of their families. The parents, Charles and Catherine, were the children of immigrants from Sicily. They have such a fascinating perspective on life because of the working-class circumstances they grew up in, and the film shows how people like his parents were able to achieve what they saw as the American Dream.

Scorsese’s parents are, of course, in front of the camera, despite Charles’ assurances that Catherine is playing Airs. The two are honest and give the impression that we would sit next to them in the kitchen to listen to their stories directly. You can almost taste the meatballs and gravy Catherine is cooking up — there’s even a recipe for it at the end.

Italian American is important as a window into the work of this great director as it allows you to see another side of his creative work; a gentle site that aims to tell genuine stories of everyday people, blurring the lines between film and reality.

3. Goodfellas (1990)

Goodfellas review

Goodfellas is Martin Scorsese’s greatest creation as a filmmaker and the result of the perspective that making a documentary and making a feature film are the same process.

Based on the novel Wiseguy by crime reporter Nick Pileggi, Scorsese tells the dramatized true story of half-Irish, half-Italian gangster Henry Hill in this six-time Oscar-nominated film. Goodfellas has all the style of common streets, but it’s incredibly polished after almost two decades of filmmaking experience. The silhouette of the main male characters digging a grave in front of a red light is as striking as common streets‘ club scene, but its darker nature creates a more provocative image.

Ray Liotta excels as Henry Hill, pounding a variety of emotional beats culminating in a frantic, paranoid coke spree at the end of the film. Robert De Niro and Joe Pesci are highlights of the cast, but it’s Lorraine Bracco as Henry’s wife Karen that really steals the show. There is no true star in the ensemble cast, making the location and lifestyle the focus of the film. Goodfellas presents the allure of the gangster lifestyle and hits all the beats expected of the gangster genre in the late 1980s when audiences might have seen it all.

Martin Scorsese’s past and future films deal with similar themes Goodfellas, but none is visually so convincing. The film is dynamic, the editing and cinematography evolves with the characters as the film progresses, and its function as a representation of reality makes it different common streets or even genre great The Godfather, the natural performances that elevate the film beyond a general desire for understated acting. Catherine Scorsese herself even appears in a completely improvised scene. When it comes to Martin Scorsese filmography, Goodfellas unbeatable and a must for anyone looking for the opportunity to experience the unique cinematic work of this great American director for the first time.

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You can’t go wrong checking out Martin Scorsese’s filmography, but these three films offer the best insight into the interests, background and outlook on life of this legendary author. Then you should follow the advice of this article taxi Driver, wild bulland casino are great places to go next.

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