prayers answered! Why this Australian state is booming with TV and film production – The New Daily | Episode Movies

The Sunshine State is proving once again that its entertainment industry is booming with TV series and films including a new Hemsworth brothers production and an international Netflix series.

Up to 30 productions are either in production, post-production or scheduled for release in the coming weeks and months.

Screen Australia 2021-22 acting reportReleased Thursday, Queensland’s screen industry contributed $465 million to the local economy last year, including hosting four international productions.

Overall, the data shows an all-time high in script production spending of $2.29 billion, made up of a record $1.51 billion for Australian titles and $777 million for overseas productions.

There were a total of 162 productions with a record $786 million in theatrical spending (including furiosa, better person and Enemy) and a record tripling of spending on Australian subscription TV and subscription video-on-demand (SVOD).

Spending on free-to-air (FTA) TV and broadcast video-on-demand (BVOD) dramas and children’s dramas on TV and VOD platforms is also up year-on-year.

All told, Queensland’s screen industry contributed $465 million to the local economy last year, including hosting four international productions.

So what’s Queensland’s call for a slice of this pie?

Multiple reasons, but essentially it’s a mix of desert, agricultural, and coastal locations, multiple studio operators, federal funding, and most notably the state government’s so-called Post, Digital, and Visual Effects (PDV) incentive.

“Within the first 12 months of the increased stimulus, 20 Queensland post-production facility projects were confirmed for a variety of services including visual effects, animation, editing and sound – increasing Queensland production spending by 270 percent since 2019-20.” Prime Minister Annastacia Palaszczuk said in a statement.

“Queensland rode the wave of record-breaking investments in Australian dramas through streaming services, with Screen Queensland backing projects from Netflix, Stan, Disney+, Paramount+, Amazon and more.

“Netflix alone produced five titles in Queensland – boy swallows universe, which is currently in production Five blind dates, Irreverent, a perfect pairing and true spirit.”

Milly Alcock and Tim Minchin are back for the second season of upright. Photo: Foxtel

Filming for a new action movie began in September in the Gold Coast and South East Queensland country of evilmain role western world Star Luke Hemsworth, his brother Liam Hemsworth and the tireless Russell Crowe.

Streaming giant Netflix couldn’t be topped with its quirky 10-episode drama series Disrespectful ready for rollout on December 4th after filming entirely on the Queensland coast and offshore reefs.

Not to mention upright (Season 2) with Tim Minchin and house of the dragons Milly Alcock has been filmed in the South East (November 15, Foxtel), production is underway for Young swallow universe and the continuation of Godzilla vs Kong.

Some would say Queensland’s prayers have been answered.

Paramount+’s big project is the 10-episode series adaptation of the Australian bestseller, Last King of the Cross – produced by Helium in Sydney, with post-production by Chop Shop Post in Brisbane.

Mark Fennessy, Helium co-founder and chairman, says the changes to Queensland’s PDV incentive have created a compelling draw.

“Screen Queensland’s financial incentive for PDV is a welcome added bonus for a production as visually expansive as Helium’s Last King of the Cross‘ said Mr Fennessy.

“Choosing Chop Shop Post to manage the visual effects for the entire series both on set and in post-production was an easy decision.

“Not only do their reputations precede them, they work within budget, provide clear and practical feedback on how to get the best images on screen, and intuitively solve problems with a creative edge.”

Reason enough to entertain in Queensland.

Sourcing local talent, film crews, locations and massive Gold Coast studios make producing in Queensland a breeze. Photo: Netflix

what we will love Disrespectful

US actor Colin Donnell (Chicago Med, Arrow), 40, plays a handsome Chicago gangster involved in a failed bank robbery who is on the run and ends up in hiding in a small Australian coastal town in far north Queensland.

Deciding to swap out the old looks, he transforms into the Reverend Mackenzie Boyd, a decision he ends up liking as the locals turn to him for advice and spiritual healing while still staying one step ahead of the villains.

As the official Netflix synopsis reads: “Disrespectful is a redemption story that ultimately celebrates the power of community in a world that needs more of it.”

There is a cast of local talent involved in the show, the writers have all worked on other Australian television productions including Wentworth, the heights and Red dog, and clickbait Producer Tom Hoffi produced the whole thing.

The federal government’s location incentive program contributed to this, as did SQ through its production attraction strategy.

“It definitely walks a fine line between a one-play dramatic thriller and all the stuff it brings with it from Chicago, but the other side of the coin is the hilarity of being in this really weird, total, out-of-water fishery. wild place, that’s Clump,” Donnell said TV Insider.

“It’s light. People are strange.

“The setting is bizarre – beautiful, but of course totally bizarre and dangerous when preachers are about to be eaten by crocodiles.”

in the country of evilCrowe plays Reaper, an Air Force drone pilot who must try to fix a botched special ops mission in the Philippines.

Luke Hemsworth plays a member of a military team deployed to recover her captive husband, while Liam plays a green Air Force officer thrust into the middle of a high-risk extraction.

It will be the first time the two brothers have starred in a feature film together.

The production will create 270 cast, crew and extra jobs (funded by Screen Queensland’s Production Attraction Strategy) and generate $7.7 million in the state’s economy.

Ongoing Australian TV shows include force of naturea sequel to the dryness (with Eric Bana), True Colors Mystery series and YouTube hit meta runner.

Spending on foreign productions fell overall, but blockbusters were filmed or completed here, including Entrance ticket to paradise, Kingdom of the Planet of the Apes, The Lightning and The wonders provided a boost.

“That local productions account for 66 percent of this spending is extraordinary. Distinct Australian stories continue to captivate audiences here and overseas,” SA Chief Graeme Mason said in a statement.

Local productions that did particularly well in foreign markets were young adult dramas heartbreak high, Bump and children’s show Bluish.

The other states are also setting records for their entertainment spending.

  • New South Wales set a state spending record with more than $1 billion (45 percent of the national share).
  • Victoria also hit a record with $556 million (24 percent of the national share).
  • The ACT, the Northern Territory and Tasmania also shared a record, trebling last year’s $18 million to $57 million in 2021-22, or 2 percent of the national total.

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